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The stage

A circle of light, and whoever is standing in it

Pole, aerial hoop and live horn on a round stage in the middle of the floor.

Open 5:00 PM – 4:00 AM, seven nights

Reserve stage-sideSee the nights

Everything below is the room at 2945 Arthur Kill Road, rebuilt from the club’s own photographs. Nothing on this page is stock and nobody in it was generated.

What runs

Three disciplines, one floor

A night at Ten’s is built like a bill, not a loop. Sets rotate through the evening, the rigging comes down when it is needed, and the room’s light changes with the discipline — hard blue for the aerial work, warm and low when the horn comes out.

  • An aerialist folded into the steel hoop above the empty floor, the white triangular wall fixtures lit behind her.

    A steel lyra dropped out of the truss over the middle of the stage, and flown back up between sets.

  • A performer inverted high on the chrome pole with the red-draped ceiling and exposed truss overhead.

    The pole runs from the centre of the round stage clean into the truss, so the work happens in the round.

  • A saxophonist in a sequinned suit and white brimmed hat plays beside the pole, the lit bottle wall green behind him.

    A saxophonist plays over the house set, at the pole, with the bottle wall lit behind him.

Hover or tab onto a discipline and the room above changes its lighting to match. The photographs are the evidence for all three; we publish no schedule for any of them.

Aerial

The hoop comes out of the truss

A steel lyra rigged into the ceiling truss directly above the round stage, dropped for the aerial sets and flown back up between them. The room goes to blue and the haze catches the beam so you can see the shape of the light as much as the shape of the performer. It is the single least likely thing on Arthur Kill Road.

An aerialist folded into the steel hoop above an empty floor, violet haze and hard beams behind her, the white triangular wall fixtures lit down the back wall and a single yellow balloon resting on the polished stage.
Aerial set, house empty, the stage panel still lit.
The main room at Ten’s seen from the floor: an aerialist inverted in a steel hoop rigged beside the chrome pole, a lit panel in the stage below her, white triangular fixtures along the back wall and a rope of pink lights running the length of the bar.
The only wide frame that survives of the room — hoop, pole, wall fixtures and the rope light along the bar, all in one plate.
Reserve stage-side →

Live horn

Somebody is actually playing

A saxophonist works the floor over the house set — sequinned suit, white brim, gold horn, standing at the pole with the bottle wall lit behind him. Live musicianship in a room like this is rare enough that people who come for it end up staying for everything else.

We don’t publish performers’ names. Ask the host who is on, or follow the room on Instagram.

See the nights →
A saxophonist in a leopard-print sequinned suit, white brimmed hat and dark glasses plays beside the pole on Ten’s stage, the lit bottle wall behind him going green and violet under the spots.
Live saxophone at the pole, the bar lit green behind.

Pole

Floor to ceiling, through the middle of the stage

The pole is not on a platform against a wall. It runs from the centre of the round stage straight up into the truss, which means the work happens in the round and every seat in the house is a front seat. On a full Friday the floor around it disappears under paper.

Fantasy Fridays →
A busy Friday on the floor: a performer inverted high on the chrome pole with dollar bills in the air around her and covering the round stage below, the red-draped ceiling and exposed lighting truss overhead, guests along the bar and a bartender working the well.
A Friday, high on the pole, the floor covered in singles.
  • Round elevated stagewith the pole through its centre
  • Steel hooprigged into the truss above it
  • Lit triangular fixturesthe length of the back wall
  • A long barwith the bottle wall lit behind it
  • Black leather banquetteslow, around the perimeter
  • A dark reflective floorthat holds every beam twice

Eleven frames

Everything we have of the room

Eleven photographs made for Ten’s between 2023 and 2025 — some on the floor during service, some in a studio session. No stock, no renders, nobody generated. This is the room as the camera found it, which is to say mostly in blue.

  • The main room at Ten’s seen from the floor: an aerialist inverted in a steel hoop rigged beside the chrome pole, a lit panel in the stage below her, white triangular fixtures along the back wall and a rope of pink lights running the length of the bar.
    1 / 11
  • An aerialist folded into the steel hoop above an empty floor, violet haze and hard beams behind her, the white triangular wall fixtures lit down the back wall and a single yellow balloon resting on the polished stage.
    2 / 11
  • A busy Friday on the floor: a performer inverted high on the chrome pole with dollar bills in the air around her and covering the round stage below, the red-draped ceiling and exposed lighting truss overhead, guests along the bar and a bartender working the well.
    3 / 11
  • A saxophonist in a leopard-print sequinned suit, white brimmed hat and dark glasses plays beside the pole on Ten’s stage, the lit bottle wall behind him going green and violet under the spots.
    4 / 11
  • A performer in a red-and-white two-piece and red mesh sleeves sits on the edge of one of Ten’s black leather banquettes under a hard blue key light, laced knee-high boots planted on the patterned carpet.
    5 / 11
  • Three performers in black ruffled couture and jewelled eye pieces photographed against a plain black ground — one seated on a low block, two standing either side of her, a studio portrait of the company.
    6 / 11
  • A performer stands in profile in thigh-high boots against a dark ground, lit from behind by a violet rim light that separates her outline from the black of the room.
    7 / 11
  • A performer in a red-and-white top and a blue pleated skirt stands with both arms raised against a dark violet ground, the Ten’s Cabaret wordmark set into the lower right of the frame.
    8 / 11Carries the house mark
  • A performer kneels on a black banquette in a green two-piece under a strip of blue LED light, the Ten’s Cabaret wordmark set into the lower right of the frame.
    9 / 11Carries the house mark
  • A performer sits along the polished black bar top in white lace and clear heels, the lit bottle wall stacked behind her and a blue LED rope running the length of the bar at Ten’s, the room dark beyond.
    10 / 11
  • A host holds a tall dark bottle up beside her at the end of the bar, the room behind her going green and blue — the way bottle service arrives at a table at Ten’s.
    11 / 11

The club’s own site notes that its images are for illustrative purposes and posed by models. We’ve kept their photographs and their note.

The decks

Two names hold this room’s floor

DJ Renegade and DJ Yamosa are the two names that come up on the big nights here — Renegade on the competition, both of them on a Friday. A DJ who can hold a floor for eight hours is a specific skill, and this room has two.

  • Fantasy Fridays · Queen of the Pole

  • Fantasy Fridays

Cadence not confirmed

Both names are the club’s own, published against named nights. That either one is a standing weekly resident is our reading of two dated bookings, not the club’s statement — call +1 347-630-7077 to confirm who is on before you travel.

See the named nights →

The company

The people who work this room

The cast rotates and the bill changes, which is the point of a cabaret. Some nights are pole-led, some are aerial-led, some have a horn in them. Follow the room on Instagram for who is on, or ask the host when you book — they will tell you straight.

We don’t publish the cast list. Who is on changes nightly.

Request a tableCall the host
Doors
5:00 PM – 4:00 AM · Sunday through Saturday
The room
2945 Arthur Kill Road, Staten Island, NY 10309
Bottle service
Tiers and the bar list
Age
21+ with valid ID